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Moonlady Showcase
Searching for Ix Chel in Cozumel
An American Copadilla Goes to the Yucatan
I'm back from my week of wanderings in the Yucatàn peninsula of Mexico, sunburned, itchy skinned and minus most of two toenails from my rompings on the beach. But my hair's a few shades lighter than it was before and my heart is filled with Ix Chel, the Mayan lunar and fertility goddess. We went searching for her under the Full Moon of May, timed hopefully to take advantage of the post-Easter low rates before the high temperatures set in. The search required traipsing through Mayan jungle and walking among the wind-swept ruins in a remote area of Cozumel. Yet I did find Ix Chel (pronounced eesh-shell) and a new energy in my life, too.
I wasn't just looking for a goddess, nor was centuries of intellectual progress being abandoned for me to begin believing in a myth. After so many years of studying world religions and philosophies, my sense of spirituality had become wholly intellectual, no longer a breathing part of life, locked in analytical stasis. I wanted to place a personal face on these philosophies for them to become alive, to understand these truths with the body that binds me to this Earth. Goddess was a metaphor for an inner intuitive voice I'd silenced inside myself. The search for Ix Chel was a search for balance between the high abstraction of modern thought and the fearful superstition of the past.
And a part of it was to learn about the homeland of the Copadillas, a Mayan group of midwives and shamans who are in charge of keeping that culture's complex calendar system. Likely candidates become inducted into a guild and undergo training in the Copan region of the Yucatan before returning to their community to organize community observances of important calendar dates. When I learned of them several years ago, it inspired me to start doing the same thing with the natural calendar (New and Full Moons, solstices, equinoxes and cross-quarter days) in Dallas.
In the process of searching for Ix Chel, the ever-patient Scooter and I had a few more vacation adventures than anticipated. The hotel room in Playa del Carmen, a mid-sized town south of Cancun, had the ceiling fans, balcony and ocean view as touted. But in reality the sea breeze only wafted a few feet into the room and the fans were wimpy. Too hot to hang out in, we spent most of those first days on the beach, which is not so bad. But sleeping at night meant folding our over-40 bones into the reclining patio chairs on the balcony and trying to nod off while bad disco music blared from the nightclub down the road.
One morning we woke to discover that the breezy beach weather had turned completely still; temperature and humidity levels soared. The sky was so hazy you could stare straight at the Sun and at night the Moon was blood red. Chiapas was burning, word on the street said. Each year just before the rainy season begins in May, farmers burn last year's crop debris and clear jungle for new fields, letting rain soak in nutrients from charred residue. This year, the rainy season was late again - global warming, the concerned cautions spoke - and the fires never fully went out, embers fanning to flames with each breeze.
The trip southward to Tulum, where we'd rented rustic sans-electricity beach bungalows, was certainly no longer an option. We joined the rush of vacationers who abandoned deposits, switched accommodations and rented hotel rooms in Playa del Carmen with air-conditioning. We found a lovely place - Treetops Hotel, set in a shady patch of jungle and just a half-block from the beach. Then on Wednesday, we woke to blue skies once again.
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Ix Chel Epiphany on the Beach
When the Sun is out and the breeze is blowing, you're out on the beach getting kissed by the waves, this area of the Yucatàn - called the Mayan Riviera in tour books - is pretty close to paradise. Spectacular flowers grace even the most mundane plants. Trees everywhere are laden with fruit and nuts. The white sand extends beyond the beach, continuing out to sea contained by shallow reefs, and you can walk for thirty yards without going under (but watch those rocks!). The bright Sun reflects off this whiteness through the turquoise water, everything shimmers and sparkles as the waves become laced with diamond-like patterns of light reflected from above and below.
Finally relaxed into coma condition from three beach-bum days of swimming, sunning and imbibing cold wine and incredibly fresh guacamole while enjoying a parade of topless women (très European) and men in Speedos against this Bali Hi' backdrop. On the evening of Mother's Day we walked down the beach to explore less inhabited terrain. A luxurious Full Moon hung low in the sky. The elbow to elbow beach-front hotels spaced to the occasional outpost. Scrubby lowland jungle crept up to just beyond the high-tide mark. A spit of reef extended up to the beach, and amid the rocks the waves were stilled, providing pools of calm clear water.
My search for Ix Chel had so far been disappointing. I spent hours cruising the shops and book stores for anything about the goddess with whom this coastal area and Cozumel had been so entwined. Everywhere I asked, no one knew. Not even Iguano, the snorkeling excursion leader who came from a Mayan fisherman family. I'd just get this strange blank look: no one asks this question.
Yet Cozumel and its temples to Ix Chel was one of three main centers of Mayan spiritual activity, along with Uxmal and Chichèn Itzà. Stone sacbè roadways led from these and others such as Tulum and Coba to the natural port of Xelha'. (The Mayan "X" is pronounced "sh".) Boats then transited people on to Cozumel where they walked to the main temples at San Gervasio and other sites on the easterly moonrise side of the island. But now, no one here seems to think of her much, even though small towns along the coast still echo her name: Xcaret, Xcacel, Xpuha. The Xelha' lagoon is now a national snorkeling park with scant reference to the goddess with which it was once connected.
An undeniably powerful deity, Ix Chel was mistress of the Moon and medicine, married to Itzamnà, god of the sky and sciences. She wove not only civilizing attire for us but the web of the world into existence. A powerful serpent and wise rabbit were her animal companions. The ever present and ever-receptive ocean was her domain, she of the waves and floods that cleanse. Myths relate that Ix Chel was so pleased to have an isle of her own surrounded by lovely and protective reefs in the most beautiful and bountiful waters of her domain, she gave to the people there a graceful bird and bestowed the name Isla de Cuzumil, Island of Swallows, now called Cozumel.
Of special affection to women, Ix Chel was the rare and esteemed triple goddess, encompassing maiden, mother and crone in her various forms. As the young Ix Ch'up she was the epitome of fertility with long flowing hair and full breasts, the promise of the Moon in its new and waxing phases. In her Full Moon mother facet, she governed childbirth and formed the facial features of babies while still in the womb. As the dark Moon crone, she was most powerful, set to bring the world-ending deluge prophesied in the Mayan calender to occur in 2012. In her phasing Moon, Ix Chel represented eternity as being cyclical rather than a static forever. In the crone glyph she gazes one way while the serpent on her head looks Janus-like the other.
Standing there in the protective reef, up to my knees in turquoise waters, I was surrounded by Ix Chel's pulsating web of light refractions, moonlight melting into the waves. The ocean was alive. Though not really the psychic sort, I had a vision of life centuries ago: women along the shore casting flowers into the fluid moonlight web in hopes of Ix Chel's blessing for safe passage to Cozumel. Standing in supplication waist-deep in water, they raised their arms toward the Moon and bared their breasts in hopes of lunar bestowment of ample milk. Gathering in the tranquil lagoon bay of Xelha', hundreds of small boats set forth for Ix Chel's island, each laden with women now ritually bathed and clutching their offerings, icons of their hopes and dreams all riding off on moonlit waves.
I sat on the beach and created an altar, drawing a counter-clockwise circle of thirteen dots representing the lunar phases in a year. With the hands of women who'd had prayed so hard all these eons, I pressed one (heels at the rim and fingers toward the center) for each phase, chanting the sequence of elements through the astrological signs as visited by the Moon: fire, earth, air, water. In the center, I drew a Crescent Moon and at the bottom I wrote her name: Ix Chel. We left it there on the beach for the rising tide to take as an offering to her sea.
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Our Dinner with Ix Chel
Scooter, my mate, had been a patient co-conspirator on my search for Ix Chel, giving me space or support as I needed it. The journey had been scenic and leisurely paced as he wanted and along the way there were additional perks beyond the delightful European swim-wear customs. One of them was a Mayan cafe, Yachbe, near our hotel where we had the apex version of the local specialty, Tikin Xic: fish covered with onion, pepper and tomato strips, wrapped in a banana leaf and baked until tender.
Yaxche was dedicated to showcasing the more peaceful aspects of Mayan culture such as the culinary arts and the mystical side of its spirituality. Quoting a Mayan text, the menu (folded like the Mayan codice, or book) reads: "So the good souls will rest under the shadow of the sacred tree 'Yaxche' where food and peace reign." Sounds like my kind of afterlife, especially if it has tsotobilchay - chaya (or Mayan spinach) tamales with boiled egg, pumpkin seeds and fresh tomato sauce - or any of the Mayan vegetable soups.
Striking up a conversation with the restaurant owner, a dashing young man whose Cuban grandfather had married a Mayan woman, we paid complement to him for naming a coconut-shrimp dish on his menu after Ix Chel.
"I have a statue of her, see?" He led me out to the street where a four-foot tall wooden statue of Ix Chel stood, the open mouth of the serpent on her head holding menus for passers-by to peruse. In a young maiden form I'd never seen before, the face was round and Moon-like, eyes open yet unsurprised. The whole meal she'd been just a few feet away.
Over the course of a couple more culinary encounters, we exchanged information about Ix Chel and other Mayan matters, such as prophesy. They had predicted with amazing accuracy the founding of Mexico City and the coming of Cortes. What about 2012?, I asked, when Ix Chel's waters are said to close the Mayan era begun with the Spanish Invasion. His smiling face fell and he turned away. Some aspects of Ix Chel are evidently best not talked about over dinner.
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Finding Ix Chel in the Mayan Jungle
In my exhaustive shopping search for Ix Chel, fending off aggressive street vendors with single-minded focus, I found only one item worthy to buy: a small carving of her Mayan glyph. This stylized drawing which represents her name depicts Ix Chel in her crone form. A coiled serpent headdress and a line of crossmarks beneath her feet denote her powerful and death-weilding status. Hunchbacked and haggard faced, in one hand she holds upside down a gourd filled with the waters of the world, its contents spilling out impassively through her gracefully waving fingers.
I had purchased a Mayan calendar with the maiden Ix Ch'up in it, and I knew that representations existed of Ix Chel sitting next to her rabbit in a Crescent Moon and as the world weaver at her loom accompanied by the favored swallow. But what I mostly found were truly lewd and even hideous sculptures allegedly representing her childbirth form. Arms extended in rage and face an ugly grimace, she fought a snake (not a serpent) as it squeezed the baby from her pregnant body, fearful eyes and face of pain bursting out from between her legs. This was not a helpful goddess; it was not even a Mayan goddess.
Another less monstrous representation nonetheless disrespected Ix Chel by reducing her esteemed rabbit companion to a pair of bunny ears over her head. (And anyone who's been around me long enough knows the irony of this bunny-ear business.) In San Miguel, the bustling tourist port of her dedicated island Cozumel, consideration for was even more scarce. After two afternoons of searching, I returned to the city's largest t-shirt and curio shop to inquire again.
"No Ix Chel," the manager said, waving his arm across a wall adorned with hundreds of different styles of shirts, "Only warriors..."
I felt that I was on a mission from God, or rather Goddess. Growing up deeply pacifist in a household that had strong "Lord of the Flies" overtones, I related to the persistent continuance of Ix Chel amidst the blood-thirsty violence that marked much of Mayan spirituality. It wasn't goddess worship or female exaltation I was trying for, but a returning to balance from the overwhelming male energies of the world. Bringing back an awareness of Ix Chel seemed a likely way to achieve that aim.
On one of those days darkened by the Chiapas haze when everyone fled indoors, we went even further: to the underground caverns. The Yucatàn peninsula has few above-ground rivers and creeks. Instead, the limestone ground is laced with a web of subterranean caverns filled with water filtered to crystal clarity through the limestone and kept cool in the insulated darkness. This mysterious realm was considered by the Maya to be the spiritual underground and womb of the world. It was also Ix Chel's domain.
Entrance to the caverns was through cenotes, places where it opened through the limestone to the surface. A small circular cenote can lead into a seemingly limitless cavern system. Other times, the limestone would crack open and spill out its waters into an arroyo oasis. This system, Dos Ojos, a short bus ride south of Playa del Carmen, linked both cenote styles and had miles of caverns mapped by scuba divers. We chose to explore it the tank-less way through snorkeling, with wetsuits to insulate us and lifejackets so we'd easily float.

One ojo of Dos Ojos. Our guide, Juan, looks into the deep, emerald waters.
Descending via a tight channel through ten feet of limestone, the ground suddenly opened up and we were standing on a rocky shelf in utter darkness. The guide's portable electric light switched on, enabling us to see a cavern sparkling with graceful white sculptures - stalagtites and stalagmites, columns and undulating boulders - formed by rain dripping down from the surface. The water looked so incredibly clear you could barely tell where the air ended and it began. We strapped on our facemasks and stepped into the abyss, the caverns sometimes closing around us tightly and other times opening up into cathedral splendor, swimming through brisk water among schools of tiny fish and ghostly tangles of tree roots penetrating from the ground above.
During a break after the first of these invigorating excursions, we were led to a thatch-roofed palupa where a poor Mayan family was offering hammocks, decorative wares and cool drinks for sale. I was stunned and so surprised. There among the gory Chichèn Itzà carvings and inexplicable tiger sculptures was Ix Chel as this ageless Mayan family saw her: revered childbirth goddess who brought peaceful passage into this world. The six-by-three inch slip of rock was a small-scale version of her only remaining full-sized form, formerly a column from her temple ruins at Cozumel now in that island's museum. Adorned with serpent headdress and jewelry, she smiled serenely as a blissful baby slipped from between her loins.
Once back - in spite of missed busses - to the thankfully air-conditioned hotel, Scooter quickly zoned out on the bed. I excitedly unwrapped the Ix Chel sculpture. Appropriating a bedside table for an altar, I set her in the middle of a red folder. A capsule of women's herbs, including the damiana of herbal-honey liqueur fame, was opened and its contents used to form a Crescent Moon at the icon's feet. On either side I set two beeswax candles, brought with the intention of illuminating our electricity-less nights at the Tulum cabanas, and set them aflame, marveling at the good fortune at having inadvertently been able to offer beeswax candles for a goddess whose followers honored her on Cozumel by cultivating flowers and raising hives of bees for honey - a goddess after my own heart.
I paced in counter-clockwise circles while thinking thoughts of Ix Chel and laughing at the idea of the cleaning crew finding this set-up the next day. Sitting before her in the gentle illumination, trying to feel as serene as she looked, I felt great peace with her prescence. Then my instincts beckoned me out to the second-floor balcony. The Moon, still nearly full and red from the Chiapas fires, had risen above the hotel's treetops and the roofs of buildings flanking the beach. Below in the hotel's small verdant courtyard was a mid-sized cenote. My eyes now open, Ix Chel was everywhere and still very much alive.
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The Paths of Ix Chel at Cozumel
In spite of archaeological guidebooks insisting how underwhelming the ruins of Cozumel were and rarely mentioning Ix Chel in connection with them, on the last day of our vacation we decided to go to the island a final time. With the main group of ruins still inexplicably called by the Spanish name San Gervasio, unlike the other major centers which retained their Mayan monikers, I had little hope for the trip. But before leaving, there at the Playa del Carmen dock, I saw a positive omen, so perfectly logical yet I'd ridiculously missed it the entire week. Emblazoned on the t-shirts of the tricycle taxi porters for ferries to Cozumel was the local union's symbol: Ix Chel in her crone glyph form. Alas, no matter how I plead, none of those porters would sell me their shirt.
Once over the azure sea to Cozumel, and after another fruitless search for Ix Chel through the city plaza, a taxi ride of several miles was required to reach the ruins of San Gervasio, located in island's central highlands, an imperceptible 33 feet above sea level. For a fairly stout fee, the driver will wait at the ruins while you explore.
After paying our entrance fees, a small gift shop caught our eye. Inside we asked: Have you any t-shirts of Ix Chel?
"Only two," the female clerk replied in halting English, "and in extra-large. Women don't want."
I about jumped out of my skin, gesturing that I definitely wanted one. "People, women, ask for Ix Chel. And I in turn ask for them my suppliers, but they send me these," gesturing to walls and shelves of Chichèn Itzà images. It was becoming a familiar refrain.
Happily in possession of my t-shirt with three Ix Chel crones across the front, we set out to explore San Gervasio. And while the guidebooks may not mention her, the signs in Spanish, Mayan and English at the ruins certainly did. For the most part, only the foundations remained, white blocks emerging from the vigorous Bermuda grass which kept the cleared jungle at bay. Lacking imposing structures, the ruins spread out in the meandering circular feel of a labyrinthine maze. Red hibiscus and yellow mimosas were everywhere, and yes the bees were buzzing. A large grey iguana, perfectly camouflaged while sunning on the ruins, slunk away quickly after surprising us and smaller lizards skittered through the underbrush. Far away an owl hooted and over our heads a swallow flew.
Visiting small temple after temple, each fashioned around modest altar areas to place offerings for Ix Chel, it became quickly clear that appealing to her was a private matter between the woman and the goddess, and possibly why unlike the others these temples remained in use throughout the entire Spanish occupation. No huge plazas to host priest-led gatherings, no towers to survey the masses. Just intimate pilgrimage. Perhaps a woman had an individual altar that spoke to her; perhaps she traced a path of many altars through the temples in a shamanic journey.
What happened next surprised me. I became moved beyond description as I walked the stone pathways called sacbès laid out nearly 2000 years ago to connect the now-ruined buildings. Picking up a rock to look closely at the limestone, I saw it was composed of fossilized shells from ancient oceans - I was treading upon the body of Ix Chel. I could feel prayers in the pathways pass through my feet and into my body, prayers to continue the cycle of life, prayers both desperate and kind, so much hope for the life within. They prayed for Ix Chel to give the child good looks along with good fortune. And they prayed for themselves: babies orphaned in childbirth were destined for sacrifice.
Again in an instant I was back in the past. Feet tired from walking the seven kilometers from the Cozumel coast, as I neared San Gervasio the air filled with music and the ceremonial blowing of conch shells. Women with rain sticks, bamboo drums and shell-covered gourd shakers danced in circles around a lush cenote oasis, making 13 lunations before others took their place, singing of water and the cycles of life.
Suddenly I felt embarrassed. I'd brought nothing to offer Ix Chel. I scooped up 13 filbert-sized nuts from hundreds scattered beneath a temple tree. At a small temple I kneeled before one of the ceremonial niches, placing the nuts in a counter-clockwise circle and tracing a Crescent Moon in the center. After prayers and blessings, I stood and poured an libation from my drinking-water bottle. I am your mistress, Ix Chel, and offered my heart. I knew I'd found her at last.
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